Apr 09


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I’ve always found the subject of how strong a perfume should be an interesting one. It’s one of those topics that often creep up in conversations with friends when we discuss anything to do with perfume making. Personally, I like my perfumes to be just strong enough to be noticed by others without them gagging or fainting from the impact of it when I go past them.

Some people believe that the effect of a perfume should only be felt by the person wearing it; within their own personal space alone, without others noticing it. Others say that it’s okay to get a light whiff of someone else’s perfume as long as it’s all down to it being carried over by the breeze and not because the wearer had been marinating in a bath full of perfume beforehand. So which of these two scenarios is right? All I can say is that the wearing of perfumes is a personal thing and anyone should be able to wear their scents however they want it as long as it doesn’t make everyone else around them ill or irritated.

However, in my experience as a perfume maker, I’ve come to realize that most customers prefer stronger smelling perfumes to the lighter ones. On the whole, they believe that the stronger it is the better it is. If they want a light effect a squirt or two is enough and when they want a more obvious effect, they can apply some extra squirts. This way they have the option to wear it the way they like it, strong or weak. I’ve also noticed that women tend to like their perfume fragrances to be moderately strong so that it can last as long as possible. Men on the other hand generally to opt for lighter blends.

The thing a lot of people don’t seem to understand is this, the fact that you love the scent you’ve got on doesn’t mean everyone else does. Nor are they looking forward to the migraine it’s likely to induce if you choose to douse yourself in scents that are extra strong, even when going to work. There’s nothing worse than working in a confined space with someone who smells like they bathe in a tub full of strong perfume everyday! If someone can smell you long before you get to them and long after you’ve left the room, it’s more than likely that the perfume you have on is way too strong or over applied.

I once had a terrible experience with a designer perfume type I blended for my personal use. It had always been one of my favorites until that particular day. When I applied it before I left home for an important meeting it smelled quite fresh and moderate. Thirty minutes later, it had become so overpowering that I felt really ill. Things got so bad that I would have gladly jumped into any pond, river or lake right there and then just to wash it off.

The meeting was a total disaster because I had developed a killer headache and bad nausea. I reeked of strong perfume and felt so awful that I had to reschedule my meeting for another day. Now how unprofessional was that? From that day on I can’t bear to smell that perfume and hate it with a passion. I suppose I must have been over generous with my perfume ingredients when composing that particular blend, but it was a lesson well learnt.

Now I mostly stick to wearing light, but long lasting scents, especially if I’ve got a meeting or if I’m going to be in an enclosed space with other people. Being considerate of the people in our surroundings is a good thing, particularly in the case of those who might have allergies and those who are sensitive to strong perfumes. For such people, there can be nothing worse than smelling someone from a mile away and having their perfume induce a migraine or sneezing attack when such a person is close by.

Ultimately, if you are making perfumes to sell, the customer is always right and their need comes first. This means you have to consider who your customers are and what their perfume preferences are so you can craft the right blends to meet them.

Remy Baker is a successful perfume maker/entrepreneur and the author of Scent2Riches – Making Perfume From Home Guide.
Remy loves everything about perfume making and enjoys showing others the tricks of the trade; especially how to make perfumes for next to nothing.

If you’ve found this article helpful, you can find out more about how to make your own perfumes and earn from home here: http://www.scent2riches.com

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Apr 07

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Apr 02


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Making designer smell-alikes is a great introduction to home perfuming. With just a few ingredients and instructions, it’s almost impossible to get wrong. Naturally, it builds confidence when you’re holding your own recreation of $90 perfume – a duplication you made for less than $10!

But how is it possible to get such accuracy for so little money? After all, these perfumes are expensive. They must have some kind of ’secret formula,” right?

The knock-off market is nothing new. Counterfeiting and duplications are a built-in part of the art and fashion market. It’s not always illegal black market stuff, either. Most of us can’t afford an original Picasso, but we can certainly afford a nice reprint from an art poster shop! Perfumes are no exception. While it’s illegal to pass off duplicates as originals (counterfeiting), people can and do sell knock-offs.

Historically, designer perfume duplications haven’t been that great. You may remember Designer Impostors from the 80’s and 90’s: “If you like Obsession, you’ll like Compulsion,” etc. Well, Compulsion may have been in the right ballpark – the same general fragrance family – but it wasn’t that close.

This is because, just like computers, the technology needed to mature. They were using the equivalent of an old Pentium 35 laptop to make smell-alikes, which didn’t produce accurate results.

Now, there are machines where you can analyze a sample of anything, even if it’s incredibly delicate and subtle. The air around the sample, which contains the scent, is sucked up and sorted into scent molecules. Using sensitive gas chromatography and other methods, including human judgment, scent scientists can use the profile returned by the machine.

Whether the scent is snow, fresh-squeezed orange juice, new apple blossoms, or the latest creation from House of Creed, it is possible to get quite close to the original. Like all things, there is some variation. If you make a lot of duplications, you’ll get a few misses or duds. But most of them – especially the most popular designer perfumes – are so accurate that most people can’t tell the difference.

Once a scent is recreated, companies sell them in concentrated form so that you can dilute them for your own use. It’s as easy as making Kool Aid!

Can you recreate a designer formula from scratch? Anything is possible with enough time and trial-and-error power, but your time is better spent creating original blends. Designer duplications are just the beginning in hobby perfumery. Why spend your valuable time reinventing the wheel? (Hey, it’s a cliche because there’s a lot of truth to the phrase.) The truth is, you may not be able to get accurate duplications without technological assistance. At least, it would take you a very long time!

During that time, you could be blending your own scents that you like even better than the latest Calvin Klein or Thierry Mugler creation. And the cost of the machines is about what you’d pay for an electron microscope. Not in the range of most people’s household budgets.

Instead, leverage your existing designer duplications and use them to further their perfume making abilities. Mix them together, or add your own special twist. You can get a fragrance made just for you. Isn’t that better than a mass-produced scent any day?

Katherine Durkes has written 3 ebooks on how to make bath & body, perfume, and home fragrance products. She runs a website, a newsletter, and a Yahoo Group for aspiring craft business owners. Visit http://www.theperfumereport.com for more about how to make perfume.

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